VGIK

The young Petrukha couple live in a village - a kind, docile husband and strict wife. Soon, twins are born to them.

Set in the early 1920s after the end of the Russian Civil War, Red Army soldier Nikita returns to his hometown to see his partner Lyuba, both of whom are scarred by the trauma of the Russian Empire of yesteryear.

Soldiers undertake the perilous task of removing a stockpile of World War II bombshells discovered during roadworks under the ground of a small village.

The launch of the space rocket is scheduled for Wednesday. Final preparations are underway in the shed. Yulia, Borya, and Petya are waiting for Misha. But Misha has lost interest in the project — it's much more fun to play in the sea. And a garage is about to be built on the site of the shed. The only one who can't come to terms with the cancellation of the flight is little Alka. Early in the morning, he climbs into the spaceship and presses the “Start” button.

The story of VGIK teachers and students about the acting profession.

Interviews with the veterans of the Great Patriotic War and VGIK alumni Grigory Chukhrai, Valentin Ezhov, Rostislav Yurenev, Vasily Ordynsky, Peter Todorovsky, Vasily Solovyov and the writer and a scriptwriter Boris Vasiliev about their war experience and war cinema.

The absence of speech of the characters, and the only dialogue is whistled, because you can feel, but you can't talk.The background sounds like parallel, fictional worlds - worlds that exist simultaneously with ours, but independently of it, especially the sounds of radios (as the reference to the search of "another life" in the radio broadcasts).

A surreal film done in the style of a silent farce.

Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.

A down on his luck peasant goes to fight in World War I and returns home a hero. Partially lost.

Ivan Baikalov, the secretary of the District Committee, is the first person to come to him with any question: grain harvesting machines, alimony, crankshafts... - the party leader of the Altai village should know and be able to do everything. The wife of a young doctor came to seek protection from Baikalov - her husband is cheating! And from Lebyazhego they inform that in three days rains will fall, and the only one who will be able to organize the work and not to rot the bread is Pyotr Ivlev. But on the secretary's desk is an anonymous letter: the district doctor has had an affair with Pyotr's wife. What is more important - grain harvesting or the family of a young party member?

Musical fantasy based on the play by M. Gorky.

A young woman named Nadya arrives in Moscow to enroll at a college. After failing her exams, she stays with a man named Vitaly. The two become an item, but their relationship sours when she gets pregnant.

A screen adaptation of the short story of the same name by A.P. Chekhov.

Kasian Nefedovich decides to convey his last wish, of burying him beside his wife's grave, to his daughter Zinke and spend some time with her. But she doesn't allow him to stay with her family.

A short film based on a story by E. Steblov.

A film adaptation of a short story by O. Henry. In a small neighborhood in Greenwich Village, two young artists, Sue and Johnsy, live in a three-story building. Johnsy has contracted pneumonia and is on the verge of death. Outside her window, leaves are falling from the ivy. Johnsy is convinced that as soon as the last leaf falls, she will die. In the same building, on the ground floor, lives the unsuccessful artist Behrman, who year after year dreams of painting a masterpiece but never even attempts to realize his dream. Academic student film work of the Department of Cinematography at Vserossiyskiy gosudarstvyennyy institut kinematografii imyeni S. A. Gerasimova (VGIK).

The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.