La Fondation Gérard Courant

A simple, modest and faithful record of some moments at the Lucca Film Festival in October 2010, with songs and speeches by Abel Ferrara: trace of the co-presence of two of the greatest contemporary filmmakers, dissident and true sons of Cesare Zavattini’s revolutionary spirit.

Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.

Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.

On the occasion of the 7th meetings of Digne, Pour un autre cinéma, organized by Pierre Queyrel and which presented a retrospective of Philippe Garrel's cinematographic work, this film is the sound recording of the discussion that the filmmaker made with the audience after the screening of his films Marie pour mémoire, Athanor, Voyage au jardin des morts and Le Bleu des origines.

I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolorées which will take ten years to edit) with Mariola San Martin.

Courant registered Garrel’s dialogues in order to produce his first urgent film, the first of his essays inquiring the state of current cinema. As a synthesis for the 20th century, Garrel invoked his relationship with Freud, Henri Langlois, Orson Welles, Marx, The Rolling Stones, Godard, Warhol, Picasso and Bergman and draw a territory in that different kind of cinema also inhabited by Courant’s art. Four years later –as a sequel, and a first example of Courant’s series– there was another meeting with Garrel, where again the filmmaker adds names related to his sensitivity, such as Murnau, Von Stroheim, the Lumière brothers, Abel Gance, Polanski, Rivette; the writers André Breton and Gabriele d’Annunzio; and the actresses Anna Karina, Nico, Zouzou and Maria Schneider –three stars of his films. (Diego Trerotola)

After 28 years of filming in Super 8 format, Lisa Rovner's Cinématon No. 2116, shot on May 23, 2006, is, following the cessation of production of Kodachrome film, the last film filmed on this cinematographic medium. It should have been the last one altogether if, after much reflection, I had not decided to continue the adventure in digital format. A second camera – a video one, this time – filmed this “historic” event.

Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.

Placed under the auspices of the philosopher Gaston Bachelard whose maxim "The human being has the fate of flowing water", is quoted in the epistle of the film, La Femme qui pleure dans les nuages is a film-poem by Gerard Courant to the glory of nine women engulfed in Alpine and Pyrenean torrents.

During a shoot with an Eagle K4 camera, a failure caused freeze-ups with abstract shapes.

An ongoing collection of single static shot, mute, showing a view of the cinema facades where Cinematons have been screened.

Autour de 24 Passions is the making-of of my film 24 Passions . It was shot in 2003, on the occasion of the 24th year of filming this film on the Stations of the Cross of Burzet, in Ardèche. (Gérard Courant)