Enrique Cerezo

When Englishman Jonathan Harker visits the exotic castle of Count Dracula, he is entranced by the mysterious aristocrat. But upon learning that the count has sinister designs on his wife, Mina, Harker seeks help from vampire slayer Van Helsing.

In 35 A.D., a Roman tribune is sent to Palestine to investigate the death and possible resurrection of a certain Jesus from Nazareth.

The story of a forty-something rapper considered a boy by his parents and a grandfather by his classmates. They send him to the university to change and he changes everyone else. This is Matusalen's history.

True story of thirteen totally normal young women that suffered harsh questioning and were put in prison under made up charges of helping the rebellion against Franco back in the 1940s. Despite of their innocence, the thirteen were soon executed without even a trace of evidence of any wrong doing.

It's your traditional Irish holiday - cousins are having sex, couples are getting divorced, John Michael has brought his boyfriend and Millicent might be a witch - it's enough to drive you to drink. The only catch - Mary McDonough won't allow a drop of whiskey in the house.

This movie doesn't have any coherent plot. It's the portrait of the lives of different people in the hard years of post-war in Spain (the 40's), and how they manage to survive in a country desolated by the war. Like other films: La colmena or Roma (Fellini) it shows us lots of characters and some moments of their lives.

In the mid-19th century, California, a Mexican territory, became part of the United States. Faced with the possibility of being dispossessed of his land by the new authorities, Don César de Echagüe, a Spanish nobleman, asks his son César, a capricious and insufferable fop, for help.

Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.

A computer hacker penetrates Vatican security and sends an urgent anonymous plea to the pope. Handsome Father Quart, of the church's Institute of External Affairs, an arm of the Vatican intelligence, is dispatched to investigate. The message of the hacker concerns a crumbling 17th century Baroque church in the heart of Seville that apparently "kills to defend itself".

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

A gang of gold thieves land in a coven of witches who are preparing for an ancient ritual... and in need of a sacrifice.

In the tradition of THE WILD BUNCH and THE MAGNIFICENT SEVEN comes this fast paced, action filled western with unforgettable performances by an all star cast: Kris Kristofferson, Willie Nelson, Travis Tritt and Waylon Jennings. All hell breaks loose in this riveting story when a group of former outlaws with bad attitudes teams up to catch a killer with murder and revenge on his mind. After Tobey(Jennings), a retired member of the group, is brutally gunned down by a former member and killer, Clinton Reese, our band of reformed gunslingers, Lee (Nelson, Tarence (Kristofferson), and Dalton (Tritt), sets out on Clinton's Trail. They are joined by Tobeys reluctatant young son Bryce (Willett).

A governess, caring for two children at a remote estate, becomes convinced that the grounds are haunted and the children are under an evil influence.

Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.

A mother tells her fellow Alcoholics Anonymous members how her life has been, how she became an alcoholic.

After the death of her mother, Elena (Charo López), a mature woman, begins to realize that her life, although not alone, is marked by loneliness; her marriage to Enrique (Ramón Langa) is a failure, and her relationship with her daughter Merce (Ingrid Rubio) is almost nonexistent.

The tragic fate of Juana I of Castille, Queen of Spain, madly in love to an unfaithful husband, Felipe el Hermoso, Archduke of Austria.