Kadar

When Slavko's old friend Djulaga dies, Slavko feels obliged to go to the funeral. But in his hometown of Mostar, in Bosnia & Herzegovina, this simple social obligation has the potential to get him into all kinds of trouble: with his neighbors or even with local political bigwigs. Yet if he does not go, his wife will think he's a coward, the grieving family will never forgive him - and he might have trouble forgiving himself. This is a compelling tale of everyday life in a fractured society, and a world where paranoia, comedy and drama co-exist. It is also an astute psychological portrait of a man who is forced to cross the invisible line that divides two communities. Above all, it is the story of a man who lost everything that defined him, when his country disintegrated.

Thousands of pages of a handwritten diary, through dramatized documentary scenes, portray the personal life of Virgilije Nevjestić, a painter and graphic artist who was born in Tomislavgrad, Bosnia and Herzegovina, and who has been declared the best graphic artist of the 20th century by the French Academy of Sciences and Arts. He exhibited in all the prestigious museums and galleries of the world.

Hassan is a successful journalist who lives in Zagreb. But he is tormented by his past, the wars he went through as a boy and the scars of lost loved ones and years. He returns to his native Beirut, to his Sabra neighborhood, where he unravels the past. While meeting his comrades, and in meetings with his brothers and sisters, he puts together forgotten images of his own past and recalls how as a boy he joined the PLO, fought in the city streets of Beirut and dreamed of how his comrades would celebrate his heroic death. While the camera creeps into the most hidden corners of Shatila, a Palestinian camp in the heart of Beirut that cannot be entered without an armed escort, part of the film crew disappears in Rehab, a part controlled by drug gangs and former ISIL members, and it itself faces all the possible challenges of this turbulent world.