Krátký film Praha – Studio kresleného a loutkového filmu Praha

Two puppets, Punch and Judy, do battle to the death over the custody of a live guinea pig.

Adaption of the Antonin Dvorak opera Čert a Káča (The Devil and Kate), Op. 112, B.201, based on a farce by Josef Kajetán Tyl.

This melancholy piece about the metamorphoses of love and the eternal dissatisfaction of human beings with what they have was inspired by the lyrics of the French song "Plaisir d'amour."

A small, animated figure learns how to use a whip, a pair of wings and a house.

The passion for high speed can nowadays almost be seen in the new-born. The film shows that such passion, if not controlled, is self-destructing and even suicidal. At least this is the way Trnka presents it in this satiric story. —kratkyfilm.cz

A Berlinale Forum of New Cinema award winning feature.

An old woodblock train meets its shiny new electric replacement one Christmas Eve in this glowingly nostalgic stop-motion toy story, directed by Bretislav Pojar and featuring gorgeous design by Trnka.

Two linear characters typical of Émile Cohl are situated in the same frame, in different coloured rectangles making up their respective settings. One is good, the other is bad and lives off the first.

A cowboy takes on a group of bandits.

This is one of three 15 minute cat films made by Bretislav Pojar in 1960-61. It features mime artist Ladislav Fialka as the painter Honza. He gets into all sorts of trouble when he has to look after two little kittens. It's a mixture of live action and animation. The other two films in the trilogy are Cat’s Promise Cat School Narrator Rudolf Deyl also provided the voice for the first series for Pojar’s Pojdte Pane films in the mid 60s.

A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant. As the hand's request gives way to bribery, demands, and threats, the potter becomes more desperate to escape its clutch, leading to tragedy.

Trnka’s sci-fi vision of the future in which machines and robots try to substitute themselves into the most beautiful human relationships. A cybernetic robot is supposed to substitute for the loving grandmother of a little girl. The wise grandmother, however, comes back and the girl finds the warmth of her grandmother’s loving arms again. Trnka’s artistic ideas in this film can be described as both poetically fragile and dramatically cautionary.

Zdeněk Miler's animation short about geometrical shapes.

Taken from Boccaccio's Decameron, this lovely puppet film tells the bawdy story of the beautiful young Venetian lady who confesses her sinful passion for the Archangel Gabriel to a lustful monk, who promptly impersonates him in her bedroom with predictable results. Amidst the film's ribaldry, the hypocrisy and false piety of the monk are mercilessly mocked.

The first puppet film shot in CinemaScope. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common popular world of tradesmen amateur theatre and a fairy-tale happiness of magic creatures as elves and nymphs. The film is considered the most remarkable Jiří Trnka's work and a milestone in the history of the world animation.

Ingratitude rules the world... A puppet animated film based on a short story by Jaroslav Hašek.

A satiric film that through a lecture of a cracked brain pedant describes the increasing disobedience of children. It calls us for protection against misbehaved children and wants to "defend" the world of adults from disastrous consequences of the ungrateful children's deeds. The film is remarkable for the inimitable humor of Milos Macourek.