Mammut Film

In the remote Romanian village of Catane, a community of villagers, long surviving on disability benefits obtained through ambiguous means, faces exposure when a local inquiry descends. What unfolds is not a story of deception, but of unexpected ingenuity as the villagers craft a disarmingly poetic and humorous response to the absurdities of a broken system. In reinventing their way of life, they reveal not only a means of survival—but a radical model of communal resilience in a fractured world.

Jan Jedlička is one of the best kept secrets in the world of art. He was born in Prague in 1944 where he studied painting at the academy before immigrating to Switzerland in 1969. Petr Zaruba conveys through cinematic and formal choices the complexities of Jedlička’s creative strategies. An intertwined dialogue between two artists.

The documentary tells the story of the last year of Lindsay Kemp’s life in Livorno, between memories and attempts to stage his last a show dedicated to Nosferatu.

Bobkata – a down-on-his-luck funeral director in a corrupt provincial town where old grudges never die but are passed down through generations. His business is on the verge of bankruptcy, his wife leaves him, and his main competitor – a local thug with connections at the hospital – smoothly monopolizes the entire “death market.” Crippled by debt and tormented by the painful loss of his parents, Bobkata is willing to do anything to save himself. In his desperation, he comes up with an absurd plan: giving dance lessons at a retirement home to recruit clients for his prepaid funeral services.

In the modern history of Latin America, a direct line runs from the anti-Communist repression of the 1970s to the fight against land defenders and human rights activists today.

The film recounts the glorious half a century of an important festival not only in the history of the Italian theatre, but also cultural policy, public goods, instances of participation, management in the cultural sense of the public space.

The days of being a supporter of the Hammarby football team are hard, even for the most dedicated fan. The unwilling step into the future is embodied by the leaving of the classic home stadium Söderstadion.

A whisper in the white. A reckoning in silence. Where stillness is louder than words. Where the mountain speaks – and you listen. A descent through fear and forgiveness. The new short film by the FFF audience favorites should not have been made this way, but sometimes life takes over. And it wouldn’t be our Weger Brothers if they hadn’t accepted this invitation from life and shared their reflections on a life-changing experience with us.