Hong Kong Academy of Performing Arts

Yan is a basket ball fanatic who barely makes it to Form 6, not by studying hard but by his skill on the court.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Bill Wong works on a wide variety of films, some of modern setting, some with historical backgrounds; some are award winners, some lesser known. As a cinematographer, he does not strive for personal style. Instead, he concentrates on fulfilling the potential of the film and realizing his director’s designs. He is a consummate team player. This documentary features interviews with Wong and five directors with whom he has worked – Patrick Tam, Ann Hui, Tony Au, Lee Chi-ngai and Shu Kei, tracing the paths on which they have travelled together.

Jun is a reckless, rebellious young man. His coming out enraged his father, with his mother (Han) stuck in the middle. Even after his father's death they are still unable to reconcile and the two barely communicate. Knowing that being gay is not accepted by his mother, there is a wall between the two even though they live under the same roof.

Liza, once a notorious mob boss, has always been strategically planning the career of her only son Yan. It is however never in Yan’s intention to follow her mother’s footsteps - instead he aspires to be a filmmaker. As a mob, Yan is highly incompetent, and his disappointing performance already messed up a simple drug deal. Liza desperately tries to save her most sought-after son, but she ends up, along with her son, breaking into her neighbour Mr. Chan's home. They accidentally steal the head of Mrs. Chan, whom they assume was murdered by Mr. Chan. They recklessly decide to blackmail Mr. Chan, and everything goes out of control. Will Liza and her beloved son survive this crisis?

'...is unsuitable for any man's love.' (Xi Xi, A Woman Like Me) Sum-yin patches up wounds, masks scars and performs other beautician services that, when done well - as she always does - bring comfort to her and appreciation from grateful families. But inside she's hurting. Her job as a mortuary cosmetologist makes her self-conscious about the smell of death that seems to be seeping through and under her skin and looming over her stagnant relationship with Kwan, her oblivious boyfriend. No amount of cigarettes and perfume and cleaning will rid of it. At some point, a decision has to be made.

Lok has been suffering from mental disorder for many years. Because of the misunderstanding and discrimination of others, he chooses to keep his illness in secret.

Fai, a ten-year-old boy who is a new immigrant from mainland China, he lives in a narrow suite with his mother and his step-father.

We enjoy the adrenaline rush given by horror films. But what if we are personally involved in the horror? Director Chun has created a ghost story based on a real case with a dancer murdered, incorporating all marketable ideas like women, supernatural forces and violence. Successfully he persuades the boss to invest in his horror, but there is one “little” requirement – in order to pass the Mainland censorship, no ghost can be presented in the ghost story. So keen to make it work, Chun compromises. While he starts to change the script, an unexpected visitor shows up and leads him to a special journey. A film depicting the bittersweet life of film workers.

Twenty years ago, Charlie came to Hong Kong to work as a domestic helper. Not only did she leave her home country Philippine, she also left her husband and her six-year-old son.Close to her retirement, she looks forward to going back home and living with her son again. However, her dream does not come true as she wishes…

The film tells the story of how Hong Kong rice farmers use their crops to pour time and strength into connecting Hong Kong people and their land. To stand up to the challenges Hong Kong nature offered, the farmers put effort into farming their own rice and spread their contribution in agriculture in order to enable Hongkongers to taste the rice from the very soil they stand on. The countless stories behind a bowl of local rice, which embeds the inseparable relationship between the land and its people, are told through this film.

A 16-year-old girl falls in love with a boy and gets pregnant. The boy wants nothing to do with the baby, and the girl's mother, believing she's doing the right thing, forces her daughter to get an abortion. This story may happen everywhere, and we may read about them everyday in the news. However, what sets The White Balloon apart from those stories is the emotional journey the girl and her mother take as they realize that they have no one in the world but each other.

The documentary offers a glimpse into the life of a farmer who worked in the fields with his father when he was young. After spending time in the city as an adult, he returns to the countryside to take over the family’s business and learns the essence of making a living from the land.