The League of Live Stream Theater

Endgame tells the story of Hamm, who is reduced to living in one room, in which he sits blind and chair-bound. His only escape from his solitary world is the company of his aging, legless parents, who live in garbage bins, and his shuffling servant, Clov, who is at his beck and call, and who, like a dog, comes when whistled for. The only thing left for Hamm is to wait for the inevitable end. A pinnacle of Beckett’s characteristic raw minimalism, Endgame is a pure and devastating distillation of the human essence in the face of approaching death. “Nothing is funnier than unhappiness” invokes Nell, which summarizes the tragicomic nature of this timeless play.

Welcome to Jaja’s bustling hair braiding shop in Harlem where every day, a lively and eclectic group of West African immigrant hair braiders are creating masterpieces on the heads of neighborhood women. During one sweltering summer day, love will blossom, dreams will flourish, and secrets will be revealed. The uncertainty of their circumstances simmers below the surface of their lives and when it boils over, it forces this tight-knit community to confront what it means to be an outsider on the edge of the place they call home.

Winter, 1985. 75-year-old Meryl ditches ice-cold Milwaukee for sunny Los Angeles, hell-bent on becoming a movie star. She’s got big dreams, a little money, and a whole lot of nerve. But will the world ever know her for who she really is? Starring two-time Academy Award winner Dianne Wiest as Meryl, and directed by Tony Award-winning director Rachel Chavkin, John J. Caswell, Jr.’s play is a wildly theatrical, hilarious, and genre-twisting gallop through the experience of a woman reborn.

As Jacob tears through Nottingham in a whirlwind of drugs, girls, and bar fights, he makes a fatal mistake that lands him in prison. As he struggles to accept the consequences and build a new life, he finds an unusual source of salvation, the parents of the boy he killed. Based on a remarkable true story, Punch is two-time Olivier Award winner from playwright James Graham.