Fondation Rothschild

One day, in Savigny, an 18-year-old boy left his house in the middle of the war, saying: "I'm leaving, I'm going to kill Hitler." His name was Joseph, he was Jewish, he was my great-uncle. He disappeared during the night of the Occupation, and his existence became a family secret. He disappeared from history, the small as well as the big: he is not on any deportation list, and the only archive where he appears is a family photo of him as a child. It disappeared like a stone at the bottom of the water, instead of going up in smoke in the sky of Poland. What did he become? And why didn't anyone mention his name anymore?

“I return to Poland 25 years after directing a film about the traces of a destroyed Jewish world. This time, I am accompanied by Jen, my French-Israeli companion of Sephardic origin. Upon the ruins of the past, we look for signs like pieces of a puzzle that built our history, our memory, our emotions.” (Julien Donada)

Art Spiegelman's graphic novel Maus (1980-91) was the first comic to address the Shoah in mainstream culture and is still considered a landmark in art history.

In 1942, more than 8,000 Jews were arrested on 16 and 17 July and sent to the Vélodrome d'Hiver sports center in the 15th district, a stone's throw from the Eiffel Tower, before being deported. The expression "Vel d'Hiv round-up" has become part of our collective memory, to the point of becoming the main memorial reference point for France during the dark years. Based on research carried out in unpublished or rarely explored archives, this film retraces the history of this roundup as experienced by hunted Jews and police trackers, from its planning in the Vichy offices to its hour-by-hour unfolding in the streets of Paris.