Cinemalaya Foundation

When Paulino Mungcal and his co-worker in a lahar-filled quarry unexpectedly dig up the remains of his 2-year daughter Marikit, they discover that she showed no signs of decay. Could this be a miracle, and could she -- despite death – cure the sick? Inspired by whatever healing power the deceased child may have, Pol asks the church to declare her a saint. But how, when her resurgence stirs up emotions buried by time, and shores up questions about pure love, guilt, sin and salvation?

A land-grabbing tycoon and a former sexy male actor are in a tight race for mayor in a small town. When violence erupts, Emmy, a teacher, runs into the wilderness with a ballot box, the last copy of the election result.

A socio-realist drama-comedy film, it follows a seemingly usual day in the life of Loida Malabanan as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation of the marginalized laborers like her.

Manok is a middle-class treasure hunter who’s been digging for Japanese treasure for years. He and his companions are in the final stage of their current site in the mountains of Suyo, Ilocos Sur, an area reputed as a Japanese stronghold during World War II. All the signs at their site indicate that they are certain to find treasure. With their resources nearly depleted, Manok convinces his godfather in marriage, Freddie, to finance the rest of their operations. Manok, Freddie, and another friend, Boyet, journey back to the site hoping that, as their medium predicted, they will find gold before Manok’s wife gives birth in a month’s time.

What is the measure of true friendship? Jamir, a devout Muslim, and Lando, a Christian, are among an elite group of young recruits formed by military officers for a classified operation. These impressionable young men would undergo intense and grueling training that put their will and strength of character to the test. Amidst all the hardships, these men set aside their differences and became brothers. But what happens when the institution they have sworn to protect becomes the wedge that will tear their brotherhood apart?

When an alien comes back to take him, a mouthless young man's life twists and turns as his memories untangle.

After ending her toxic relationship with her boyfriend Ben, 40-year-old Alice discovers she is pregnant. With her age and current relationship status, her first instinct is to have the pregnancy terminated. As her body undergoes dramatic changes, Alice struggles and needs to decide what to do. Will she slide back into the arms of Ben? What will this mean for the child growing inside her?

Ordinary People is a family portrait of Jane, 16, and her boyfriend, Aries, who live on their own in the chaotic streets of Manila. Surviving as pickpockets, the lives of the young couple change when they suddenly become teenage parents. But not even a month into parenthood, their child is stolen from them. In order to retrieve the child, the young couple is forced to take desperate measures.

Four men, four stories, all intersect in Manila. Episode one is about Ariel, a con-man. Episode two is about Boy, an expectant father. In the third episode, Ronald goes to Manila to sell a building. And in the fourth story Baste saves his sister from Ariel.

A driver is sent on a simple errand: to pick up a designer t-shirt and a tin of viagra for his boss, who is shacked up in a hotel with his lover. Simple as it sounds, the road trip crisscrosses the chasms of time, class, and character.

A young filmmaker is bent on recreating forgotten massacres from Philippine history, but when she begins shooting at a site where 1,000 men, women, and children were slaughtered, angry spirits are awakened and the lives of her team and the local villagers are put in peril.

Set during the Japanese Occupation, four children (Nitoy, Benny, Carding, and Badong) aspire nothing more than to become soldiers fighting the Japanese... until they are confronted by the realities of war that threaten to destroy their families and their friendship.

Doring is a 24-year old girl who is engaged in a sport that is not common to Filipino women-boxing. This in her desire to alleviate her family from poverty which is slowly devouring them. Her mother Idang is a fish vendor whose hope she leaves on to God. Her brother Aloy is a cynical teenager who is hopeless about the future and just going with the flow of the times. Her youngest sibling Uno is fast growing up discovering the stark realities of life and is slowly losing his innocence. Desperate and tired of living a miserable life and working in a palengke, Doring enters into amateur boxing in the hope of being discovered and go big time in the professional level. This is not just a fight for her dream but a battle of survival for her family.

A loving but impoverished grandmother of an autistic child tragicomically loses everything and turns into someone society reckons her to be.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

The once illustrious Lopez-Aranda family has faded. Celia, once the darling of Philippine opera, and Gaspar, a distinguished ex-congressman, lacked the shrewdness to maintain their once elegant status. Saddled with a failed marriage, a vanishing career and mounting debt, Celia sold her share of their house to Gaspar, now bedridden. She managed to stay for free in exchange for being Gaspar’s caregiver. Gaspar loves listening to Celia’s arias. This idyllic arrangement is shattered when he slips into a coma. His daughter, Raquel, comes home from the US, determined to sell the house to salvage her own economic woes abroad. This signals Celia’s impending homelessness. With only a few heirlooms to sell, she is at her wits’ end. A fervent believer of the Sto. Nino, she hopes for a miracle. She dresses up her grandson, Antony, in Sto. Nino robes to prepare him for the coming fiesta.

About two lonely people who met during the whaleshark watching season in Donsol, Sorsogon.

Infinite struggles among four men in their twilight years, confined in a hospice facility or home for the aged. Their gray hair grows and fades unnoticed, their lives enter the void of oblivion. Everything unfolds so naturally into their swan song until their body pains and heartaches yield the same intensity, when their hearing and their feelings become permanently impaired; and when their blurry vision and memories become “clear” signs that the inevitable state of death is as fleeting as the vibrancy of life itself.

An awkward 6-footer teen is forced to learn and play volleyball half-heartedly when the Catholic school she transferred to did not have a basketball team. Everything changes when she meets their star player.

Raped and pregnant, an OFW rids herself of unwanted baggage on the flight back home.