BOGOSHORTS Film Agency

Henry Forero, a boy of only twelve born in a pop district of Bogotá, is the new global transportation visionary, but Henry’s revolution will be more powerful and more striking: thanks to him Colombian cars will reach the whole world. Henry is a child who teaches that sometimes in life in order to get to the top you have to go downhill.

It is the year of grace of 1950. Ignacio (11) is celebrating his First Communion, a step that, according to catholics, puts him closer to God and opens up a space for him in the believers community. Communion implies, he will have enough grace to go to Paradise one day. It is also the day he is declared as a “conscious” person. However, from long time before, his tutor, sister Josefa, and the priest of the church, have said terrible things about his dead father, a communist that by now, as they say, should be burning in hell’s fire.

Vicente is an old rooster who has a good chicken in the red, and the plant to play, but his rival, the only one who stands in the way of silver, is Ricardo, his own 18 year old son. Ricardo, tired of the life he has led with his father, has everything arranged to win. The old man's life is on hold.

Julio, a blind coffee vendor, recounts his relationship with Daniel, a 9-year-old boy whom he rescued from a life in the streets and raised as his own. After an unfortunate encounter with a social services worker, Julio will have to fight to protect Daniel and keep their relationship strong.

Covering news of impact in Bogotá has become a personal race between Roco and Matías, two contemporary journalists who are reaching their fifties, determined to be the first to get red notices for their editors. 30 years dedicated to competing for the most macabre news, they are driven to cross paths through death, in a desolate and hostile city that offers them no shelter or company.

Laura eventually works for a group of obscure characters with whom she must settle an outstanding account, her activity is to leave some recorded messages to some numbers that they dial, the situation becomes complicated when she arrives home and finds that one of the messages that caused her great impact by recording it, was directly to her partner.

Omar, a construction worker, receives a strange voice message on his cell phone; even though no one speaks in the message, he hears the melody of a song amidst the noise of the recording. From that moment on, he begins a search to find the name of the song.

After a call announcing the visit of a church delegate to San Luis de Frá, a town as ordinary as it is absurd, Jose María Marín, the parish priest in charge, knows that the time has come to be responsible. He and his old sacristan will have to find a corpse and inaugurate the cemetery at any cost.

At the outskirts of town, there is a communitary laundry where Ángela and her neighbors talk while they do their laundry. Just at the moment when the water service starts to work at everyone's house, Ángela finds the value of the little ritual that is disappearing little by little.

After time, what remains in the journey of a relationship that is on its way to its end? A final conversation will always be missing while crossing the tunnel before reaching the end.

Brotherhood tells the story of two brothers of Middle Eastern descent, who live with their mother in a social housing complex, known as Housing States, in the city of Melbourne, Australia. While Ali, the older brother suffers from heroin dependence, Syed, the youngest, tries to make a different life from his brother and finds a means of escape in urban poetry.

Francine, a foreign actress who is touring her new film, is confronted by her dubbing actress, Ursula, who suffers a crisis upon learning of Francine's retirement from acting.

Leonardo and his son Joaquín, 5 years old, travel to an out-of-town marriage, Joaquín does not know that who will marry is his own father, and with a woman who is not his mother, the difficult revelation will bring problems to the connection between father and son, but it will also question Leonardo's decision to marry.

Martillo, tells the story of Pablo’s sexual awakening, a student at a boys' school where Sister Edwin teaches discipline with an iron hand. At home, Pablo lives in a different world. His father is a plastic surgeon and shamelessly exposes him to his sexual world and that of his lover. His mother is dead and Albina, his nanny, takes care of him like a son. At thirteen, Pablo is confused. When he discovers Sister Edwin's secret, he will leave his innocence behind.

A just divorced couple makes plans to buy several materials to make a minotaur costume for their son Lorenzo. This work wakes up some old issues, but forces them to work together as a team and think about the personal idea of family.

Before leaving to Europe to continue his career as a musician, Ariel decides to spend his last day in Bogotá with Lorenzo, his baby son. In the brief encounters with his family and friends, Ariel begins to learn the meaning of being a father, a few months later the illusion collapses.

Elena finds a wounded paramilitary soldier and decides to help him. While recuperating at her house, he confesses that his unit recently killed her son. Despite the shock, she still helps him to escape before the guerrillas find him.

Barranca travels with his mariachi band to a remote town with the mission of offering a serenade. With no more clue than a voice mail from the client who forgot to give him the address and the name of the woman to whom they should sing, Barranca starts a desperate search through all the village.

Alvaro Rodriguez, an old swindler, owes a lot of money to a dangerous moneylender. To pay off the debt, he proposes to the man, who is also his boss, to finance one of his businesses. In the end, the 'indigenous malice' wins out and he ends up cheating his boss.

Andres arrives at a forgotten town looking for his brother. A picture is the only clue of his whereabouts. He finds a place ruled by violence and silence. Indifference marks his route towards finding his brother.