Escuela Internacional de Cine y Televisión (EICTV)

When Marushka enters Ivan's butcher shop, it's not to buy sausages. In the back room, vodka and waltzing and the pleasures of the flesh may lead the two lovers to the ultimate chop!

Alfa, a famous porn actor, must deal with his fears, insecurities and memories when he begins work on a new film without Yerry, his former partner in life and porn. On his first day of shooting without him, Alfa tries to act as in the past but can things be like before? Javier Ferreiro's short film reflects on the difficult decision of letting someone go to move forward. ALFA is framed in the context of gay porn cinema in Cuba where pornography is banned but, little by little, it's growing up an underground industry impulsed by foreign tourism.

On the stage of a destroyed theater, we saw a play in which Elizabeth, Mercedes and Crisalida, three black women at different stages of life, relive everything they suffered from the interpretation of their own conflicts in the form of inner monologues.

In the dense night, when the moon lifts the tide, beings trapped in the daily life of water scarcity, they are hypnotized by the powers of Yemaya, the goddess of the sea.

The daily life of an Afro Cuban family and the relationship between the carnal and the spiritual in the sacrifice of their last cock to eat.

In a fumigation centre in Havana, Mayelín has the ungrateful task of fining citizens who infringe sanitary regulations. Apart from fighting dengue and disciplining her workers, she is, herself, under pressure from one of her supervisors. Mayelín must learn to find her place within a stressful and sometimes aggressive work environment.

Nadia is a Haitian biologist living in Cuba, researching local wildlife. Until she receives a visit from deep waters, and the Cuban forest begins to speak in other languages. On that day, Haiti never seemed so far from Nadia.

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

Anolan is a soloist in a string orchestra, lives with her mother and dedicates every minute to his profession; Enmanuel is a peasant resident in the Sierra Maestra who devotes his time to working the land, accompanied by his young son.

A poetic and contemplative journey of harmony between different forms of life that coexist on the earth. This film is a meditation on the effect of time, movement of the human spirit, and passage to new forms of life, through the eyes, ears, and bodies of three elderly land workers living in a small community in the outskirts of Bauta, Cuba.

A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.

Three stories about men and women in terminal situations.

A water polo feminine team trains intensely for a final competition. Eva, the team captain, wishes to win, but has noticed strange behavior from her teammates ever since trainer Omar's arrival on the team. Eva tries to discover the truth, but has no idea that she is facing a supernatural force, hungry for blood and violence.

A short film following Anthony, a young child from the small, rural town of San Antonio de los Baños, Cuba. We see him in different moments of his daily life as he interacts with different forms of environmental, familial, and social influences. While Anthony displays contradictory traits of creativity, destruction, rigidity, and tenderness as he interacts with his external and internal worlds, we see a story built from the the multidimensionality of Anthony's layered personality as a young man.