Lyon Capitale TV

As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.

Monique, Thérèse, Marie-Noëlle, Marie-Dominique, Geneviève, Jacqueline and Annie are nuns. They have spent over than 40 years in their community in St Héand, in the Loire. They are about to make a major decision...

Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.

In Mexico City, amongst the fervent devotion to adulated saints, a fictional cult arises to disrupt the ancestral relationship between believing and creating, between art and religion.

The LGBTQIFA+ Center of Lille has been welcoming people for several years who fled their countries due to homophobic or transphobic persecution. A team of activist volunteers helps them find the right and convincing words to obtain the right of asylum. What they once had to hide to stay alive, they now speak, live, and share—the joys and the sorrows—in unwavering solidarity.

Every year teams of seasonal workers come to Solovki islands to harvest sea kale. They go out to sea and mow it from car-basses. As the last of the teams go back to Arkhangelsk in October, only a watchman and his dog are left to pass the winter.

In 1937, Dominican dictator Rafael Trujillo ordered the massacre of over 20,000 Haitian immigrants living in the Dominican Republic. Daphné Ménard, a Haitian theater director, brought together actors from both parts of the island to work on this event.

In Toamasina, on the east coast of Madagascar, Saholy runs a small business of pedicabs. She takes care of her drivers as if they were her sons and lets them find with her a home where they get mothered. Tormented with a difficult past, Njaka is looking for his place in the bosom of this big family. At seventeen he knows he must decide his future but lets himself still easily be tempted by girls and smoking joints.