Satyajit Ray Film & Television Institute

Gi lives with Appachan, her grandfather. She and he are dealing with different realities. Appachan is losing some memories and delving into worlds Gi is unfamiliar with. She on the other hand is trying to come to terms with the world around her, her lover and her work which all seem hostile to her.

Chanchal, a typical soft middle class young Bengali and Calcuttan, not masculine enough and unconfident about the sex and the woman, pays out most of his time finding a suitable girl to prove his credibility as a male. In most of the cases he fails to frame himself as good enough a man to the girls he come across and gets disillusioned on all the occasions. Finally, he almost reaches a beautiful girl to a close proximity, but unfortunately, no sooner had he succeeded to win the girl's attention, he becomes blind in the curse of God.

Oru Paathira Swapnam Pole is a Malayalam drama movie, directed by Sharan Venugopal. The cast of Oru Paathira Swapnam Pole includes Nadhiya

On a stormy night, a weary detective and a keen-eyed doctor piece together fragments of a high-profile case. As evidences and unanswered questions surface, the dread draws near.

Art film about a woman dying and three princes taking a journey. Vipin's diploma film at Satyajit Ray Film and Television Institute, Kolkata (2003), looks at the ideas of entrapment and liberation.

Kanhaiya, loyal to village chief Gop Ji, must choose between duty and conscience when "Pandubbi" returns, unearthing old secrets and shaking the soul of the village.

In Kolkata, three art college graduates named Kapil, Debdutta and Padmini decide to live together and share their love for each other equally.

Set against the backdrop of NRC and CAA, the film navigates the life of an old man who is forced into early retirement as he fails to produce proper documents.

two girls. Meena and Ayesha are teenagers who study in a convent school. They are grown together even though their dreams, realities and social setup are totally different from each other. Calcutta is the backdrop of this unlikely relationship. The girl struggle to live out the first adult relationship of their lives. Ayesha is easily bored and looks for constant stimulation. She likes to live in a dream world, nightmares even. In Meena, she finds a listener one who believes all her tales blindly, one who dreams and lives through her stories. The film is a collage of shared experiences, memories, dreams and realities, held together by an un-predictable non-linear structure.

In the 90’s in a convent in Kerala, Sister Philomena is seriously ill while all the others are preparing for the anniversary of the convent school. Sister Nirmala who looks after sister Philomina is assigned to be with the actress Urvasi, the chief guest for the function. Sister Nirmala’s happiness has no bounds as it the same actress she has a deep fascination for, which the rest of the convent is not aware of. Things take a decisive turn when, on the day of the anniversary sister Nirmala is asked to stay back and look after Sister Philomina whose condition has unexpectedly deteriorated.

Suresh, a rural folk dancer, cross-dresses for his performances, but feels conflicted when his wife disapproves of his plan to perform in their conservative home village after the election victory of a local politician. Meanwhile, their eight-year-old son, Deepak, eagerly joins the preparations and helps set up the tent, unaware that his father will perform on stage.

A propaganda playwright faces challenges during the final rehearsals of the play when a certain turn of events unravels the contrast between the real lives of the actors and that of their characters. The rehearsal stops when the lead actor refuses to deliver a dialogue out of fear of religious conversion.

Sam, a retired English professor, goes for a drink to Tangra, reminiscing over his wife. His 12-year-old tuition student goes along with him

a short film produced by srfti.

The film writer, cameraman, production manager and the actress set off on a car trip driving through the story. A trip the director chooses to abstain. He believes it’s a story the road will write. All he needs is the writer to refine the route map… pen and petrol. A pointless long travel. The crewmembers fall apart one by one. The actress is let alone with the writer. The travel continues till they meet a dead end. But the story has to return.

A story of Shyamal: a runaway, a pickpocket & a tiger's cub.

Neerbhukhi, a peaceful demoness, wants nothing more than to be one of the humans. However, the villagers will not accept her because they believe she is responsible for a severe water shortage. Following a traumatic incident with the humans, the demoness hides in a dried-up well and bursts into tears. Her tears pour forth in a raging torrent and flood the well. It is said that the demoness still cries in the well and that the village has been blessed with water ever since.

Uttam Das, a folk singer of Bengal, built an Ashram for music in his native village, on the riverbank of Ajay. This Ashram is a unique example, in the modern world where an artist lacks free space to practice art. The artists gather here to celebrate music and the silence of nature uninterruptedly. In ashram rain arrives, seasons change, and stillness of the time persists. But today man's greed tries to destroy the river and the surroundings, pains the land and the artist.

Inspired by Tennessee Williams' short story "Something by Tolstoi," this movie is about a cinema projectionist whose wife decides to leave him so she can become a well-known actress in the movie business. The projectionist had been rewriting the happy endings of Bollywood tragedy films since he was a young boy. He was a closet writer. Despite his talent, he lacked the confidence to survive outside his movie theatre. The projectionist loses all control as he creates a variety of happy endings for his love tale in an effort to win back his wife. After a decade, fate steps in and brings his wife back. However, he has forgotten who she is and what he has been looking forward to for all these years.

Struggling with depression, 35-year old corporate executive Keshav seeks solace from enigmatic writer Gulmohar. His quest leads him to a modest newspaper house, unravelling a transformative journey of healing and connection.