Azerbaijanfilm

The film tells the story of two people, a man and a woman, who are isolated at different poles of our society, where many moral values ​​​​are being eroded. Although one of them is wealthy and the other is poor, they try to forget their loneliness with each other...

Shot during the Nagorno-Karabakh War, "Fəryad" is only one of its kind. Following the Khojaly Massacre, Ismayil, an officer tasked with collecting the bodies, crosses enemy lines to avenge the brutal murder of a local schoolgirl. There he gets captured by Armenians and waits for the day to be exchanged for an enemy POW.

A film about time and timelessness, about personality and facelessness, about the need for change and the desire to get used to what is - The drama of a man whose fate was predetermined at the moment of birth. "Chekist orphan" - he was obliged to go through his terrible path and could not go through it. He became what he became - a KGB colonel.

Sequel to Fəryad (1993). The film tells the story of Azerbaijani victory in the 44-day Patriotic War for the lands of Karabakh, which the Armenian invaders had occupied for nearly 30 years.

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.

The anthology consists of 4 short feature films: "Postscriptum", "His Father", "The Gift" and "The Black Garden".

The film tells the story of a former colonel who ends up in a nursing home, where he loses his money. The events that befall the colonel, who is suspicious of his own friends, become the subject of laughter.

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

The plot of the film is based on three love stories. The events take place in Moscow, Baku and Africa, but most of them are related to the Azerbaijani capital. The film, shot in the comedy genre, takes place during the Great Patriotic War, when the Germans left the occupied territories.

The film based on Agil Abbas's novel about Nagorno-Karabakh War. The film tells about the heroism of the sons of Azerbaijan, who fought for the Motherland to the last drop of blood in spite of everything in the Karabakh war.

Unable to find a cure for her illness, Leyla's father and mother take her to the hospital in Umbaki and forget about her once and for all. For Leyla, life begins with the arrival of student Eldar for an internship at this hospital.

The film is about war in Garabagh and when we look at wounded solider we see our son, brother or father.

The film is about the inner suffering and conflictions of Yavar, father of a soldier, who can't give the news of his son's death in the war to his heart-sick wife.

Tells the story of the life and multifaceted heritage of Mirza Fatali Akhundzadeh , the founder of Azerbaijani drama, a great public figure, who left an indelible mark on the history of Azerbaijani and Middle Eastern literature . The film depicts three periods of the playwright's life - childhood, youth and old age.

A drama about a film crew making a movie in an isolated mountain town famous for its ancient fortress, and what happens when the town is threatened by a modern-day foreign invasion.

The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.

Not looking that a film is told about personal human fortunes here in the foreground there are the most noble raised human lines.

After the country transitions to a market economy, the psychiatric hospital is left without funding. The chief doctor (Yaşar Nuri) releases the patients to their homes. However, the outside world turns out to be even more insane than the patients themselves. Seeing the state of society, the patients are forced to return to the hospital. Although this film portrays the lives of people with mental illnesses, it actually uses dark humor to highlight the ugliness and shortcomings in our society and everyday surroundings.

The film tells about school life, the mutual relations of teenage schoolmates, views on friendship and life, and the formation of these views.

Local healer embarks on the path of revenge against the Russian Bolsheviks who captured his native village, establishing their own rules there.